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Showing posts with label Best Picture. Show all posts
Showing posts with label Best Picture. Show all posts

Monday, November 12, 2012

Feminism in Film: Braveheart


My next post in my reviews of Best Picture winning films! See all posts in this series here.


Initial Thoughts
This film is long. Three hours long. Now, I’m no stranger to long films (Gone With the Wind is my favorite and I’ve seen Cloud Atlas twice), but Braveheart was too long. Also blood. Blood everywhere.

The Critique
In Braveheart, the English King Edward I decides to bring back Primae Noctis. That’s when a common Scottish girl gets married and British lords have the right to have sex with her on her wedding night. Let’s be real here.  Old men get to rape a young girl because they’re on a big power trip. A quick google search proves that not only is the concept of Primae Noctis most likely a myth, but the English certainly never enforced it on Scotland. So...rape makes a compelling plot point? The story was a little boring so let’s liven it up a bit with rape? 

Rape appears to be a catalyst for this movie. Mel Gibson's character Wilson marries Murron, who dies just 45 minutes into the movie. Some English soldiers are attracted to her and attempt to rape her. But she fights back! Yay! And then her throat is slit to attract Wilson's attention.

Princess Isabelle of France is sent by the King to discuss terms of a surrender. Wilson is shocked at the thought of having this conversation with her and she says, "Will you speak with a woman?" Apparently that little question sparked a romance between the two, for later on they have sex and Isabelle conceives his child. But isn't he in love with Murron? Isn't that really what all of these battles are about? Whatevs, man, Wilson had the opportunity to get laid and he took it.

When Isabelle returns from speaking with Wilson, the King asks if she gave him the money. When she replied that it was donated, the King laughed and said "That's what happens when you send a woman".  Quite the subtle (note the sarcasm) jab about women's roles. Can't trust a woman to do anything important, am I right?

Also...this film had an all white cast. I'm not up to date on my history of Scotland, but that can't be right.


The Bechdel Test
*two named women? YES (Princess Isabelle, Murron)
*who talk to each other? NO
*about something other than men? N/A
            The women never speak to each other. The women are completely alone in a film that celebrates the triumph of masculinity. For god's sake, the final image of film is a sword. Phallic much?

Final Rating
0 stars

Awful movie.

Sunday, November 4, 2012

Feminism in Film: Crash

My next post in my reviews of Best Picture winning films! See all posts in this series here.



Initial Thoughts
I saw this film once several years ago. The only things I really remembered is that this film is about racism and there is a little girl. After seeing it again, I have incredibly mixed feelings.

The Critique
Good lord, the racism! The film's message (everyone is racist) was driven home over and over. I feel like it didn't have to be so intense, nor do I think this is how the majority of people actually behave. Furthermore, the film didn't have much to say about what needs to be done differently. The feeling I'm left with is that we're all screwed because everyone judges everyone based on the color of their skin.

There were also men and women of color. Which is great. Except for the fact that this film necessitated men and women of color. It wasn't that Loretta Devine was by far the best actress for her role. It's that Shaniqua needed to be a black woman with an incredibly stereotypical name. Not only are the characters' actions in this film racist, but the characters themselves are stereotyped. Come on. The white woman who is terrified of black men? The young black men who are "gang bangers"? The Latino man working as a locksmith? I feel like everyone thinks this film is so important because it is so brutally honest about race. Which it is. No one avoids race here. But that was so obviously the point, that it's absurd.

Also. Can we talk about the scene in which Thandie Newton's character is sexually assaulted? What the hell.

The Bechdel Test
*two named women? YES (Elizabeth, Jean, Shaniqua, Ria, Karen, Christine)
*who talk to each other? MEH...
*about something other than men? MEH...
            Yes, there were named women. But I had to look their names up online because the majority of them weren't mentioned often enough to remember. This is partly the fault of having such a large cast. But do these women talk to each other? BARELY. I counted only three conversations between women in this film. The first, was before either character was named and it lasted maybe 10 seconds. The next, was between Jean (played by Sandra Bullock) and her housekeeper, Maria. The two briefly chat about Jean's son (doesn't count. He's a man.) before moving on to the dishes for two seconds. BUT THEN. There is a "tender" moment in which Jean embraces Maria and declares her "my best friend". Which frankly is ground-breaking. A white woman is best friends with her Latina housekeeper?! Shocking! But Maria doesn't say a word! This relationship (and conversation) is completely one sided! Ultimately, I am saying NO, this film does not pass the Bechdel Test.

Final Rating
One star

So far, these Best Picture winners are not faring so well!

Saturday, October 27, 2012

Feminism in Film: Shakespeare in Love


Each week, I'll be watching and reviewing one Oscar winning Best Picture film. I wanted to go in order by year, but I'm limited to what's immediately available on Netflix because there is no Blockbuster near me at school.

Reviewing, that is, in terms of feminism and if the film passes the Bechdel Test. What is the Bechdel Test? In order to pass, a film must have at least two named women who talk to each other about something other than men.





First up? Shakespeare in Love!

Initial Thoughts
I have always loved this film. As a theatre major who loves Shakespeare, this film is wonderful. Full of references to his works. Also, Joseph Fiennes is fiercely attractive and Gwyneth Paltrow is excellent.

The Critique
Shakespeare in Love definitely highlights a noble woman's responsibility during Queen Elizabeth's reign. In one scene between Lord Wessex and Viola's father, Wessex asks if Viola is obedient, the reply is "As any mule in Christendom - but if you are the man to ride her, there are rubies in the saddlebag". How awful! The two men also discuss whether she will breed. Disgusting. But, this type of conversation was commonplace at the time. Queen Elizabeth refers to Viola as being "plucked", meaning she is no longer a virgin. I for one am glad that no one actually says that anymore. As if virginity is the only thing a woman has to offer a man.

But there is something to be said for a woman pretending to be a male actor. It's a brilliant play on Shakespeare's comedies, for women were always pretending to be men. Viola was not allowed to be an actor, so she pretended to be a man. I love Queen Elizabeth's quote, "I know something of a woman in a man's profession. Yes, by God, I do know about that". Pure brilliance.  

The Bechdel Test
*two named women? YES (Rosaline, Queen Elizabeth, Viola)
*who talk to each other? YES (Queen Elizabeth and Viola)
*about something other than men? MEH... 
        I'm on the fence about this last part. Yes, Queen Elizabeth and Viola talk to each other, in the one conversation between two women. They have a brief conversation about whether a play can truly depict the nature of love. Do they talk about men? No. But they talk about love. To me, that's basically the same thing. Viola is directly referencing her relationship with Shakespeare, who is a man. During Elizabethan times, love was strictly between a man and a woman. So while technically no men are mentioned during this exceptionally brief conversation, I am ultimately saying NO, this film does not pass the Bechdel Test.

Final Rating
Two stars

More named women who have lengthy conversations, please! I sure do hope the other Oscar winners fare better.